Drapeaux Rouges Des Enfants Perdus

A Gallery Of Language, Both Heard And Writ.
To Be Shared.
Long Live Plywood Violins
&
The Red Flags Of Lost Children

“Godforsaken World” by Jonah Tolchin

from Criminal Man (2012)

I’ve been struggling for several weeks now in my attempt to articulate Jonah’s absolute brilliance. Why have I wasted such time chasing something so obvious?

Just listen and decide for yourself. Think about everywhere these songs have come from. Think about everywhere this man will go; Here is an album so saturated with talent, a writer so vivid and visceral, that you can’t help but be excited for his entire career.

Then realize that today, July 13th 2012, is Jonah’s 20th birthday, and imagine the lifetime of creation already overflowing.

I don’t mean to take away from the strength of this album, or to overemphasize Jonah’s age. In fact, I mean the exact opposite. This is a gem edging on a goddamn masterpiece, and despite the fact that age is mostly meaningless within art, is a piece created by a (then-)19 year old kid with more skill and lyrical wit than most of his contemporaries, regardless of age. You just cant help be excited for what he’ll be creating in 5 years. 10 years. The pieces he’ll be constructing on a wind-strung, time-clawed porch in 60 years.

Happy Birthday, Jonah! We love you.


Well I asked my babe to walk with me
Her mother would not let her daughter be.

Well I asked the lord for the reason why
He’s too drunk to come down from the sky

Well lord I said I’m a simple man
And mama well I’m doing the best I can
If I follow my heart and speak my mind
Don’t get nothing back but blood and crying

City’s on fire, run to the woods, there ain’t no left
Don’t you remember what you could,
Could have done, times run out, flames creeping up,
No water in the well to put it out.

Honest man, Honest man come walk with me
Tell me how do you live so peacefully
Well he took out a needle and a sack of cocaine
and said these things help me to stay sane.

I said lord well if this is sanity
Then I’ll go wild I’ll be insane for free
Policeman, he walked up to me
He said boy, come with me.

Well they threw me, in the county jail
He said don’t ask questions, son don’t rebel
If we let you leave, son well you better walk right
And he handed me the plans to the rest of my life

Well I looked at the paper in my hand
White-picket fence, two kids, a handyman
Well it had the day I was to leave this old world
Then he handed me a ring and told me the name of a girl.

City’s on fire, run to the woods, there ain’t no left
Don’t you remember what you could,
Could have done, times run out, flames creeping up,
No water in the well to put it out.

Well I contemplated suicide,
They said that’s illegal but good try
I grabbed the pistol from policeman’s belt
pulled the trigger down the officer fell.

I laughed, felt better than a man could tell
Said looks like the place for me is hell
It couldn’t be worse than this godforsaken world
Couldn’t be worse than this godforsaken world.

City’s on fire, run to the woods, there ain’t no left
Don’t you remember what you could,
Could have done, times run out, flames creeping up,
No water in the well to put it out.


Trains gone loose, thousand miles out
Stuck in the desert times run out
Throat’s so dry whiskeys all we got
No cure on board, Oh waters all run out




We are also proud to present Jonah Tolchin’s last 2 EPs (as if Criminal Man wasn’t enough):

20 Plays

“Sing Me A Reprise” by Hip Hatchet

from Joy and Better Days (2012)

Joy and Better Days is a sopping, heavy affair. It drips with longing and growls with a hunger for something else.

Hip Hatchet is the project of Philippe Bronchtein. He recorded this album in The Map Room in Portland, Oregon.

This album has left my chest hollow and my throat dry. These are thoughts and facts.


Leaving Home ain’t pleasant
the road can be cold and cruel
when all that you’ve learned is present
in these familiar rooms

and I have been feeling distant
from the friends i’ve learned to love
i crave the comfort of transition
and a car covered in rust

Your eyes are facing down
your feet are planted firmly in the ground
you’re thinking about how
she left you standing there in your mother’s house

and you’re waiting for the fall
and nothing that you do will help at all
the cold will settle in
both your hands will crack and your eyes will sting.

what’s unknown is beautiful
when what we live ain’t new
but the warmth of other women
just ain’t as warm as you

sing me a reprise
that i know as well as home
delivered with the guilty comfort
of drinking all alone

I have a friend, a brother
with a vision of the west
we’ll trade the coasts together
and leave its for the best

My feet are moving now
away from the place where she taught me how
to love her with my mouth
and drive myself into the ground

I’m waiting for the fall
nothing that i do will help at all
the cold will settle in
both my hands will crack and my eyes will sting



30 Plays

“April Showers” by Mike Bruno (& The Black Magic Family Band)

from The Sad Sisters, which has been re-released by Haute Magie

Graveyard-folk that can only be called haunting; the above single is the opener, and also the closest to being a “love” poem. Mike Bruno and the rotating cast of supporters that is The Black Magic Family Band can currently be found drifting through New Brunswick. Haute Magie recently repressed this album on vinyl with new cover art. This is all I know.

I found it sonically fitting to put Mike next to Julie Byrne on the zine’s all-encompassing mixtape. I see how one could disagree with this aesthetically, and if this is so, please start your own zine/gallery and show me how you’d curate it.

my girl
row along with me
and all the blackbirds
spinning around your head
sing their song of rest
is there nothing left?
my girl, my girl hang on to your pearls

plant your seeds in may, they’ll grow up tall and straight
put them in your hair
my girl, my girl whats wrong in your world?
my girl hold on to your pearls
and row along the bends with me